It lay back on the pillow of Monsieur the Marquis. It was like a fine mask, suddenly startled, made angry, and petrified. Driven home into the heart of the stone figure attached to it, was a knife. Round its hilt was a frill of paper, on which was scrawled:
`Drive him fast to his tomb. This, from JACQUES.'
MORE months, to the number of twelve, had come and gone, and Mr. Charles Darnay was established in England as a higher teacher of the French language who was conversant with French literature. In this age, he would have been a Professor; in that age, he was a Tutor. He read with young men who could find any leisure and interest for the study of a living tongue spoken all over the world, and he cultivated a taste for its stores of knowledge and fancy. He could write of them, besides, in sound English, and render them into sound English. Such masters were not at that time easily found; Princes that had been, and Kings that were to be, were not yet of the Teacher class, and no ruined nobility had dropped out of Tellson's ledgers, to turn cooks and carpenters. As a tutor, whose attainments made the student's way unusually pleasant and profitable, and as an elegant translator who brought something to his work besides mere dictionary knowledge, young Mr. Darnay soon became known and encouraged. He was well acquainted, moreover, with the circumstances of his country, and those were of ever-growing interest. So, with great perseverance and untiring industry, he prospered.
In London, he had expected neither to walk on pavements of gold, nor to lie on beds of roses: if he had had any such exalted expectation, he would not have prospered. He had expected labour, and he found it, and did it, and made the best of it. In this, his prosperity consisted.
A certain portion of his time was passed at Cambridge, where he read with undergraduates as a sort of tolerated smuggler who drove a contraband trade in European languages, instead of conveying Greek and Latin through the Custom-house. The rest of his time he passed in London.
Now, from the days when it was always summer in Eden, to these days when it is mostly winter in fallen latitudes, the world of a man has invariably gone one way--Charles Darnay's way--the way of the love of a woman.
He had loved Lucie Manette from the hour of his danger. He had never heard a sound so sweet and dear as the sound of her compassionate voice; he had never seen a face so tenderly beautiful, as hers when it was confronted with his own on the edge of the grave that had been dug for him. But, he had not yet spoken to her on the subject; the assassination at the deserted chaateau far away beyond the heaving water and the long, long, dusty roads--the solid stone chaateau which had itself become the mere mist of a dream--had been done a year, and he had never yet, by so much as a single spoken word, disclosed to her the state of his heart.
That he had his reasons for this, he knew full well. It was again a summer day when, lately arrived in London from his college occupation, he turned into the quiet corner in Soho, bent on seeking an opportunity of opening his mind to Doctor Manette. It was the close of the summer day, and he knew Lucie to be out with Miss Pross.